Jason Park is a Chicago-raised filmmaker whose award-winning short film BJ’s Mobile Gift Shop chronicles a young hustler in the streets of Chicago. We’re thrilled to present the World Premiere of his debut feature, Transplant, at the 60th #ChiFilmFest. We chatted with Jason about his inspirations, what it’s like working with a K-pop star, and more.
From where did you originally draw inspiration for this fast-paced, psychological drama?
Early in my filmmaking journey in Los Angeles, I had several friends and family in medical school, and some of the stories they would share about the intense challenges, the hierarchical culture, and their eventual transition from idealism to numbness and cynicism were eye-opening (and ripe for some cinematic storytelling). Becoming a doctor is, of course, an immense challenge, but the emotional and psychological toll that occurs felt like an non-emphasized aspect. Using these stories as a launching point, the image of an ambitious and motivated Korean-American started to form, but it wouldn’t be until a few years later when I spoke to David J. Lee, my co-writer, about this idea when it started to fully come together. There are so many great filmic examples of highly motivated characters, but we also wanted to use our own truths about life turning into a singular goal and what that might look like within our own community.
The city of Chicago played a large role as the backdrop for your award-winning short: BJ’s Mobile Gift Shop. In what ways, if any, does setting play a role in Transplant?
Though Transplant is technically set in New York, the story about a slight outsider maneuvering through their environment quietly and effectively is definitely something that I experienced growing up in the Midwest. It’s less about being alone and more so blending in where it becomes a certain kind of loneliness. You learn how to speak to different kinds of people and cultures, and in a way, play a subconscious game of trying to master your surroundings. It sounds a bit devious, but when you grow up as a minority, code-switching is a huge part of your development and education.
Notably, your film stars K-pop singer Eric Nam in his debut film performance. How did you cast Eric, what stands out in his performance, and how has it been to see his fanbase generate excitement for the film?
Eric had been looking to jump into acting for quite a while, but I think he wanted to find a project that would break away from certain expectations. When he submitted his tape, there seemed to be a natural understanding of who this character was and the headspace he was living in. There’s a certain rhythm that exists in Jonah—this mold of an ambitious Korean-American who, whether he’s conscious of it or not, is carrying the weight and legacy of his family. As we discussed this character more and revealed our own journeys in our respective fields, I think there was this moment where a connection was made for him, and I think you can see it in his performance, especially in the more quiet moments that truly reveals that empathy. In regards to his fanbase, I’ve never seen anything like it and it’s quite overwhelming. I don’t know how he does it, but it’s cool to see them get excited for him and the film.
What’s the significance of your debut feature being screened at the Festival as a native Chicagoan?
To have Transplant play at the 60th Chicago International Film Festival is a dream come true. Even though I live in Los Angeles now, Chicago still and always will be home, and to come back with my debut feature means a lot. I want to keep making films here, and if invited back, would love to keep showing them at the Festival.
Chicago is the home of so many iconic films – what are some of your favorites?
It’s hard to ignore the filmography of John Hughes when talking about Chicago films and filmmakers. A John Hughes film means something, and for him to be able to carve his own path and make the films he made is such a testament to him and his Chicago roots. I also really love Steve James and his iconic documentaries, particularly Hoop Dreams and his more recent The Interrupters. He’s been quietly and consistently making fantastic films for several decades now. A few other local filmmakers I really appreciate are Stephen Cone and Alex Heller (who I must admit is a good friend). Some of my favorite films that also feel like Chicago are The Untouchables, High Fidelity, and of course The Blues Brothers. And as a lifelong Cubs fan, I have to bring up Rookie of the Year.
Transplant will screen Friday, October 18, and Saturday, October 19, at AMC NEWCITY 14. Director Jason Park, producer Nina Yang Bongiovi, editor Zoe Kraft, and actor Eric Nam will attend and take part in a Q&A following each screening.
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