Synopsis

Ahmad is an aging trans man who has long suppressed his desire for other men, fearing stigma and questioning if his gender identity and sexuality are at odds. He turns to an LGBTQ archive for answers, digging through oral histories and interviews from trans men past and present. He immerses himself so deeply in the archive that he begins to time travel through it, living among stories and activism that crack open binary notions around gender identity and sexual desire. Aided by these stories — and by a young trans archivist — Ahmad begins to unravel his own complicated identity. In Desire Lines, narrative and documentary intertwine to relate a dizzying quest towards personal and collective trans liberation.

Synopsis

It’s late October at Soldiers Field, and two scruffy adult baseball teams in New England are ready to play one last game on their beloved turf before it’s demolished. But Eephus, like the unexpectedly slow curveball it’s named for, is far from straightforward. You might recognize the quaint setting, the “final big game” framework, or characters like Ed, an ornery old pitcher, and Graham, the forthright Riverdogs coach. But director Carson Lund is pitching something different here. The two teams remain neck and neck, daylight turns to dusk, team members have to leave to go home to their families, and yet the game goes on. Eephus is less about baseball and more of a leisurely look at suburban life, the foibles of middle-age masculinity, and the passing of time. Smartly written, occasionally very funny, and entirely unique, it’s a delightful and nostalgic portrait of a fading America.

Synopsis

From renegade auteur Jacques Audiard (Dheepan, Rust and Bone) comes this audacious fever dream that defies genres and expectations. Through liberating song and dance and bold visuals, this Mexican odyssey follows the journey of four remarkable women, each pursuing their own kind of happiness.

The fearsome cartel leader Emilia (Karla Sofía Gascón) enlists Rita (Zoe Saldaña), an unappreciated lawyer stuck in a dead-end job, to help fake her death so that Emilia can finally live authentically as her true self. Written and directed by Audiard (Rust and Bone, A Prophet), the double Cannes-winning film also stars Selena Gomez, Adriana Paz, and Édgar Ramírez.

Synopsis

From Oscar-nominated director Joshua Oppenheimer (The Act of Killing, The Look of Silence) comes a poignant and deeply human musical about a family that survived the end of the world. Twenty-five years after environmental collapse left the Earth uninhabitable, Mother (Tilda Swinton), Father (Michael Shannon) and Son (George McKay) are confined to their palatial bunker, where they struggle to maintain hope and a sense of normalcy by clinging to the rituals of daily life — until the arrival of a stranger, Girl, upends their happy routine.

As tensions rise, their seemingly idyllic existence starts to crumble, with long-repressed feelings of remorse and resentment threatening to destroy the family’s delicate balance. But their reckoning with difficult truths also points to a different way forward, one based on acceptance, love, and a capacity for change. An urgent and unforgettable cautionary tale.

Synopsis

South African photographer Ernest Cole was one of the first photographers to expose the horrors of apartheid to a global audience. But after Cole published his 1967 book House of Bondage, he was forced into exile in New York and Europe for the rest of his life. In this powerful tribute to Cole and the necessity of bearing witness, Oscar-nominated filmmaker Raoul Peck (I Am Not Your Negro) recounts Cole’s wanderings and eventual descent into anonymity. Along the way, he rediscovers and reclaims Cole’s astute, vivid portraits and bracing observations of discrimination, both in his homeland and in the United States.

As with Samuel Jackson’s narration in I Am Not Your Negro, here actor LaKeith Stanfield (Judas and the Black Messiah) gives powerful voice to Cole’s sharp, defiant words: “I am collecting evidence,” he memorably says at one point, speaking about those who perpetuate injustice. “And sometimes the monster looks back at me.”