Synopsis

“Baby” is 18-year-old Wellington’s new persona since he began an exhilarating new life in sex work. After being released from a juvenile detention center to learn that his family has left him behind, he drifts through the streets of São Paulo until catching the eye of Ronaldo. The older man takes Baby under his wing and into his home, teaching him how to be an escort and welcoming him into his queer found family.

The relationship that emerges between Baby and Ronaldo is malleable and complex. Part lovers, part father/son, part boss/employee, it oscillates between caring and volatile. Baby, intoxicated by the freedom and empowerment he finds in sex work, forges out on his own, only to discover the true value of his newfound community. Tender and honest, Baby explores the complexities of queer joy with openness and hope.

Synopsis

The Ballad of Suzanne Césaire is an evocative exploration of a remarkable woman whose influence remains largely unacknowledged. Filmed on lush 16mm, the movie immerses viewers in the atmospheric Caribbean landscape, where a film crew gathers to delve into the life and work of Suzanne Césaire — writer, educator, feminist, and co-founder of the Négritude movement. The narrative unfolds through a blend of imagined reenactments and archival inspirations, capturing Aime Césaire’s political engagements and interactions with surrealist André Breton. This approach dissolves conventional timelines, mixing the real and the fictive to create a layered portrait of a woman who defies easy categorization. Director Madeleine Hunt-Ehrlich steers away from a straightforward biography, instead crafting a contemplative piece that probes into the enduring mystery of Césaire’s artistic contributions and the challenges of managing motherhood with a career.

Synopsis

Born in South Korea, but adopted by Dutch parents and raised in the Netherlands, Mieke lives happily as a queer woman with her partner in the city of Utrecht. But when her guilt-ridden birth parents reach out to her after years of separation, Mieke’s life is upended. She  must come to grips with who she is, and also who she might have been — made all the more complex by the entrenched homophobia that still exists in South Korean society.

Filmmaker Jota Mun — themself a Korean adoptee — traces Mieke’s story, recounting the events leading up to her reunion and observing her ongoing internal conflicts about her birth parents and where she belongs. Equally affecting is the film’s sympathetic focus on Mieke’s vulnerable mother Okgyun, who desperately seeks forgiveness for giving her daughter up for adoption. Beautifully conceived and profoundly multilayered, Between Goodbyes is a heartbreaking and uplifting story of family, identity, and acceptance.

Synopsis

Day after day, 12-year-old Bailey (Nykiya Adams) projects on her bedroom walls the moments of easy-to-miss beauty she’s forever filming on her phone. Bailey is a born artist, but to find that path, she’ll need to scale some obstacles: a young, unsteady father (Saltburn’s Barry Keoghan), marrying yet again and full of get-rich-quick schemes. A peer group flirting with petty crime. A housing project designed to curb imagination. Life is hardening Bailey by the hour, so it’s a surprise when a soft-spoken, gender-bending stranger named Bird (Franz Rogowski, Passages) alights in her ‘hood, offering friendship while investigating his own painful past. Could this childlike free spirit be Bailey’s guide into a happier life? Or is Bird more complicated than that?

Director Andrea Arnold, a past award winner at the Chicago International Film Festival and at Cannes, returns to the world of hardscrabble adolescence she so vividly explored in Fish Tank and American Honey, both modern classics. But Bird also sees Arnold fly in new directions, blending fiery first-timers with famous faces in her cast, probing further into fluid identities, and scouring the dead ends and concrete jungles of Bailey’s world for new possibilities of grace and redemption.

Synopsis

In spite of the daily challenges they face – from physical to financial – married couple Sassi (Sasson Gabay) and Effi (Asi Levi) have found an emotional equilibrium in their relationship. Sassi’s son, who has escaped to Europe for safety, ran up an enormous gambling debt, which the two work assiduously to help him pay off. By day, Sassi drives a recycling truck, and Effi is employed at the local pool as a physical therapist. At night they join forces, cooking side-by-side for their prepared foods catering service. Even Sassi’s impotency (the result of prostate surgery) is something they approach with love and humor.

This delicate balance is threatened when two young men burst back into their lives – their grandson, who unexpectedly returns from Europe, and one of Effi’s former students – reopening past wounds and reawakening dormant desires. The ever-perceptive chronicler of human nature and relationships, Shemi Zarhin (Aviva My Love, ), returns to the Festival for the fourth time with this wry and empathy-infused story of love, forgiveness, and the possibility of bliss.