Irma, a 40-year-old woman surrounded by families, tries to find comfort in her solitary life in a hotel called The Miracle. Crafted with an inventive physical animation technique, this funny and frank short explores the complicated terrain of finding happiness as a single adult.
This film screens as part of the Shorts 2: Animation – Desires program.
Not content to let Oppenheimer ask all of the big questions, German director Timm Kröger combines old Hollywood style with heady metaphysical substance in the intellectual thriller The Universal Theory. Set in 1962 at a quantum mechanics conference in an isolated lodge nestled amid the towering landscapes of the Swiss Alps, The Universal Theory is the story of a gifted young physicist, his curmudgeonly mentor, and an enigmatic jazz pianist who knows things about our wunderkind scientist that he’s never told another living soul.
Driven by mind-bending twists, improbable coincidences, and Hitchcockian suspense, The Universal Theory is a captivating nesting doll of a film that nods to the German masters of old Hollywood and considers the metaverse theory from a refreshingly intelligent point of view. Kröger — himself also a cinematographer — films his tale with an eye for the majestic natural beauty that surrounds our characters, effectively evoking both the paranoid postwar era and the brain-tickling complexity of theoretical physics.
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John and Jacolyn Bucksbaum Family Foundation
When Carla Nowak, a dedicated sports and math teacher, starts her first job at a high school, she stands out for her idealism. Then, one of her students is suspected in a series of thefts at the school, and Carla decides to investigate the matter on her own. Carla tries to mediate between outraged parents, opinionated colleagues and aggressive students, but is relentlessly confronted with the rigid structures of the school system. The more desperately she tries to do everything right, the more the young teacher threatens to break.
This gripping drama about conformity, racism, and rebellion — Germany’s entry into the Oscars — is an incisive look at the rapidly shifting power dynamics and complex search for truth in contemporary society.
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In 18th-century Denmark, Ludvig Kahlen (played by a rugged, windswept Mads Mikkelsen) lives with purpose and determination. After retiring from the army, he hopes to curry favor with the Danish king by embarking on a quest to settle and cultivate the unforgiving Jutland. All previous attempts to tame the heath have ended in utter failure, and the soil is thought to be hostile to crops.The harsh natural conditions aren’t the only thing standing in Ludwig’s way, however, and he soon begins to butt heads with a local landowner who worries that the settlers’ successful harvest will diminish his own power and influence.
Majestic landscape photography is punctuated with bursts of thrilling action as The Promised Land’s characters careen towards bloody confrontation.
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In the small rural Mexican village of El Eco, a teenage girl, Montse, dutifully works alongside her family, caring for the sheep and her grandmother with the same sense of curiosity and devotion. While frost and drought punish the land, she learns the ways of life and death. As in her auspicious fiction feature Prayers for the Stolen, with this lyrical coming-of-age docu-fable acclaimed Mexican-Salvadorean filmmaker Tatiana Huezo beautifully captures both the preciousness of adolescence and the region’s unforgiving elements.
Exquisitely textured and deeply empathetic, The Echo unfolds like a dream, shifting between the sweet and the dark. In sumptuous, vivid images, Hueso observes how children’s lives in these hardscrabble towns mirror those of their parents and grandparents in a generational cycle of struggle and hope.
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Cynthia Stone Raskin
212 W Van Buren St., Suite 400