Synopsis

Conclave follows one of the world’s most secretive and ancient events – selecting the new Pope. Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope’s wake, secrets which could shake the foundations of the Church.

Synopsis

Ahmad is an aging trans man who has long suppressed his desire for other men, fearing stigma and questioning if his gender identity and sexuality are at odds. He turns to an LGBTQ archive for answers, digging through oral histories and interviews from trans men past and present. He immerses himself so deeply in the archive that he begins to time travel through it, living among stories and activism that crack open binary notions around gender identity and sexual desire. Aided by these stories — and by a young trans archivist — Ahmad begins to unravel his own complicated identity. In Desire Lines, narrative and documentary intertwine to relate a dizzying quest towards personal and collective trans liberation.

Synopsis

It’s late October at Soldiers Field, and two scruffy adult baseball teams in New England are ready to play one last game on their beloved turf before it’s demolished. But Eephus, like the unexpectedly slow curveball it’s named for, is far from straightforward. You might recognize the quaint setting, the “final big game” framework, or characters like Ed, an ornery old pitcher, and Graham, the forthright Riverdogs coach. But director Carson Lund is pitching something different here. The two teams remain neck and neck, daylight turns to dusk, team members have to leave to go home to their families, and yet the game goes on. Eephus is less about baseball and more of a leisurely look at suburban life, the foibles of middle-age masculinity, and the passing of time. Smartly written, occasionally very funny, and entirely unique, it’s a delightful and nostalgic portrait of a fading America.

Synopsis

Where does a democracy end and a theocracy begin? Oscar-nominated filmmaker Petra Costa (The Edge of Democracy) investigates the increasingly powerful grip that evangelicals hold over politics in Brazil, home to one of the largest and swiftest religious shifts in human history. As Costa tells us in her haunting and insightful voiceover, evangelicals have risen from some 5% to 30% of the Brazilian population in just 40 years.

With extraordinary access to the country’s top leaders, including President Lulu da Silva, former President Jair Bolsonaro, and Bolsonaro’s right-hand man, popular Pentecostal televangelist Silas Malafaia, Costa offers a lucid, poetic, and chilling look at the ways in which fear, poverty, and apocalyptic theology can be exploited to consolidate power. It’s a brilliant and gripping case study about the precarity of contemporary democracies with clear resonances in the U.S. today.

Synopsis

The Ballad of Suzanne Césaire is an evocative exploration of a remarkable woman whose influence remains largely unacknowledged. Filmed on lush 16mm, the movie immerses viewers in the atmospheric Caribbean landscape, where a film crew gathers to delve into the life and work of Suzanne Césaire — writer, educator, feminist, and co-founder of the Négritude movement. The narrative unfolds through a blend of imagined reenactments and archival inspirations, capturing Aime Césaire’s political engagements and interactions with surrealist André Breton. This approach dissolves conventional timelines, mixing the real and the fictive to create a layered portrait of a woman who defies easy categorization. Director Madeleine Hunt-Ehrlich steers away from a straightforward biography, instead crafting a contemplative piece that probes into the enduring mystery of Césaire’s artistic contributions and the challenges of managing motherhood with a career.