Synopsis

Rebecca, the daughter of missionary Lawrence Byrne, was declared a “miracle” after she survived a plane crash deep in the Amazon forest as a child. Years later, Rebecca has become a healer, sustaining her family’s evangelical mission thanks to her growing fame. But when illegal loggers invade the land, Rebecca wrestles with her role in the community. As Lawrence maneuvers them into the epicenter of the escalating conflict, she begins to question her allegiance to her father, to their mission, and to her faith.

Director Pia Marais (The Unpolished, ChicagoIFF 2007) raises — and collides — religious, political, and environmental stakes to create a searing and timely eco-thriller. As the layers of the knotty plot unfold, exposing shifting alliances and increasingly blurry moral lines, Transamaonzia builds to a chilling, inexorable climax.

Synopsis

In this intense psychological drama, Jonah (Eric Nam), a highly motivated Korean-American surgical resident, is committed to getting ahead. When he gets the chance to train under the notorious Dr. Edward Harmon (Bill Camp), a legendary heart transplant surgeon, Jonah must choose between appeasing his abusive mentor and staying true to his values, as well as between career and family, ambition and morality.

Following the success of his award-winning Chicago-made short BJ’s Mobile Gift Shop, Chicago native Jason Park’s feature debut operates like Whiplash meets Grey’s Anatomy with Jonah and Dr. Harmon on an increasingly unnerving collision course. As the tensions between teacher and student come to a head and conflicts escalate with surprising — and sometimes shocking — outcomes, Jonah learns that perfection comes at a high cost.

Synopsis

A bombing in Munich has reverberations throughout the city, setting into motion a chain of events with far-reaching political and personal consequences. Conservative politician Mathlide (Barbara Sukowa, Lola, Rosa Luxembourg, Hannah Arendt) has been a staunch advocate for strict EU border controls to limit migrant populations. When she’s asked to hide Malik (Habib Adda), a young Moroccan who has entered the EU illegally, by close friend and artist Richard (Lambert Wilson, Of Gods and Men, The Matrix series) her ideological and private loyalties collide. When Malik is unjustly identified as a suspect in the bombing, Mathlide’s aide Amina (Banafshe Hourmazdi) begins to question her own allegiances.

Synopsis

Based on a true story, this inspiring drama follows Anthony Robles (Jharrel Jerome) who was born with one leg but whose indomitable spirit and unbreakable resolve empowered him to defy the odds and pursue his dreams. With the unwavering love and support of his devoted mother Judy (Jennifer Lopez) and the encouragement of his coaches, Anthony fights through adversity to earn a spot on the Arizona State Wrestling team. But it will demand everything he has, physically and mentally, to achieve his ultimate quest to become an NCAA champion.

Unstoppable features standout performances from a stellar cast: Moonlight actor Jerome’s fiercely committed performance as the determined athlete, Lopez’s wrenching portrayal of a conflicted mother, and Don Cheadle as a hardened wrestling coach who pulls no punches. Viscerally capturing both the thrilling physicality of the matches (overseen by the real-life Robles) and the emotional turmoil off the mat, Unstoppable is the apotheosis of the powerfully inspirational sports drama.

Synopsis

Michigan-based filmmaker Joel Potrykus has built his career on chronicling the comedic routines and surprisingly complex inner lives of slacker dudes. And Vulcanizadora is no exception. The difference here is that Potrykus’ characters, like the filmmaker himself, are getting older. That means that, for Marty Jackitansky (Josh Burge) and Derek Skiba (Joel Potrykus), the consequences of their actions are getting harder to avoid.

The moment when eternal adolescence slams against the brick wall of mortality is the theme of Potrykus’ latest, a spiritual sequel to his film Buzzard (ChicagoIFF 2014). This is a movie that benefits from knowing as little as possible going in, so just take Potrykus’ word for it when he says that this is his “most personal” as well as his “bleakest” film to date.