Synopsis

The iconic, ironic ‘90s slacker-rock band Pavement gets its own appropriately wry and subversive music doc in the latest from indie-film iconoclast Alex Ross Perry (Listen Up Philip, Her Smell). Famous for their 1994 hit “Cut Your Hair” (“songs mean a lot / when songs are bought”), the band, known for its lo-fi sound and ingenious lyrics, was heralded by critics and sparked a cult following. But the mainstream always remained elusive.

In Pavements, Perry envisions an alternative reality where mercurial frontman Stephen Malkmus and the other members of the band are the subjects of a hot Hollywood biopic, an off-Broadway jukebox musical, and a pop-up museum exhibition, which all seem to be actually happening. Or are they? With hilarious making-of scenes featuring Jason Schwartzman and Tim Heidecker as record executives and Joe Keery as Malkmus, Pavements manages to be both a heartfelt tribute to the band and an absurdist deconstruction. It’s the ultimate movie adaptation of the sequel to their lives.

Synopsis

Matthias is a master of his profession. He’s the perfect chameleon, impeccably at ease in any social situation, wearing any costume, in any character’s skin. Do you need a “cultured boyfriend” to impress your friends?  A “perfect son” to influence your business partners? Or maybe just a sparring partner to rehearse an argument with a spouse? Whatever it is, Matthias is your man! And he is available for rent. Yet, while Matthias excels in all of these roles, just being himself with his partner and among his friends is a real challenge.

With an appealing absurdist tone and humor that deftly balances incisive wit with unbridled funny, Peacock takes the “rent-a” concept to the next level. Performance pieces that take delight in sending up the art world and sharp jabs at aspirational culture combine in this corrosive comedy that lays bare the darker essence of human relationships.

Synopsis

Through her decade-long quest to piece together fragments of her mother’s life, filmmaker Rachel Elizabeth Seed offers a moving and intimate portrait of Sheila Turner-Seed, who died a few months after Rachel was born. In her lifetime, Sheila shirked societal expectations by exploring the world as a journalist and photographer. Through a wealth of pictures, home movies, television interviews, and newly discovered audio recordings of conversations with iconic photographers such as Henri-Cartier Bresson and Gordon Parks, Seed pays homage to the thrilling life and impressive work of her mother as an artist, best known for her groundbreaking series “Images of Man.”

With inventive visual compositions that play with both cinematic and photographic forms, a hint of humor, and a nod to her mother’s Chicago ties, Seed explores questions of legacy, memory, feminism, and modern photography while attempting to close the gap between herself and the mother she never knew.

Synopsis

This emotional comic journey follows mismatched cousins David (Jesse Eisenberg) and Benji (Kieran Culkin), who reunite for a tour through Poland to honor their beloved grandmother. But their adventure takes a turn when the odd couple’s old tensions resurface against the backdrop of their family history. Eisenberg, who also wrote and directed, has created a film that deftly mixes the humorous and the heartrending. Fueled by its witty and sophisticated script and winning performances, especially Culkin’s magnetic portrayal of the wild-card relative you can’t — and may not even want to — control, A Real Pain subtly transforms into a compassionate story of family, forgiveness, and resilience.

Synopsis

Nana is a young girl living on a remote volcanic island that much of her family, including her mother, have long since fled. When Nana falls ill to a strange fever, she is sent to the foot of the island’s volcano for treatment by the local healer. There, she encounters a world steeped in magical realism, suspended between dream and reality.

Hanami is a stunning, surreal look at family and community in Cabo Verde, an island nation whose diaspora far outnumbers its residents. Exploring the necessity of migration and the void it leaves behind, filmmaker Denise Fernandes paints a sweeping portrait of the inherited echoes between daughters and mothers — all set against the otherworldly landscape of Ilha do Fogo, Cabo Verde and its volcano.