Adopted by his grandmother, Madame Souza, Champion is a lonely little boy. Noticing that this lad is never happier than on a bicycle, Madame Souza puts him through a rigorous training process. Years go by and Champion becomes worthy of his name. Now he’s ready to enter the world-famous cycling race, the Tour de France. However during this cycling contest two mysterious men in black kidnap Champion. Madame Souza and her faithful dog Bruno set out to rescue him. Their quest takes them across the ocean to a giant Megalopolis called Belleville where they encounter the renowned Triplets of Belleville, three eccentric female music-hall stars from the 30’s who decide to take Madame Souza and Bruno under their wing. Thanks to Bruno’s brilliant sense of smell, the brave duo is soon on to Champion’s trail. But will they succeed in beating the devilish plans of the evil French mafia?
Release Years Archives: 2003
Unknown Soldier
Bright, friendly and bubbling with hormones, Ellison is a typical Harlem teenager. He gets into good-natured mischief with his pals, stealing dogs and sneaking into amusement parks, and has a playful sexual tug-of- war with his girlfriend Tande. But when his father dies of a sudden heart attack, Ellison is evicted from their apartment and forced to grow up far too soon. Without relatives, he quickly runs out of friends’ houses to stay in and finds himself homeless and desperate. He declines a job with local drug dealer and longtime acquaintance Zee, but after being refused by the Army (asthma) and victimized in a homeless shelter, Ellison is out of options. As Zee’s personal assistant, he’s entrusted with harmless tasks which slowly give way to dangerous assignments that leave him desperate for a way out. Ferenc Toth’s astounding debut won Best Narrative Feature at the Los Angeles Film Festival.
The Wooden Camera
In Kayelitsha, a township close to Capetown, after the end of Apartheid, two thirteen-year-old kids- Madiba and Sipho – play along the railway line. A train passes by. A dead man is tossed from the train and rolls to their feet. His lifeless hand clutches an attaché case. Inside, the boys find a gun and a video camera. Sipho takes the gun and Madiba the camera. Madiba starts filming the township and its inhabitants. Through the lens, his bleak surroundings take on a strange new beauty. His status enhanced by gun ownership, Sipho becomes a gang leader and operates out of Capetown. In Capetown Madiba meets Estelle, who lives in a traditional Capetownian white community in which century-old prejudices have not died with the end of apartheid. Madiba introduces Estelle to Sipho, who inadvertently encourages her rebellion against her racist, strict father. Estelle introduces Madiba to Mr. Shawn, her music teacher who has taught music in the townships. Mr. Shawn encourages Madiba’s filmmaking. Madiba and Estelle each deal with problems at home of a very different sort. For Madiba, it’s the extreme poverty and an alcoholic father. For Estelle, it’s the rising confrontations with her narrow-minded father. Meanwhile, Sipho’s friendship with Madiba becomes strained as Sipho falls into drug use (sniffing glue) and deeper into crime.
The Revolution Will Not Be Televised
In April 2002, the democratically elected Venezuelan president, Hugo Chavez, faces a coup d’état by an American-backed opposition party. The two-day coup fails to topple Chávez, but the tumultuous event proves to be great dramatic material for two Irish filmmakers who happen to be making a documentary about Chavez as the coup erupts. They capture footage of the massive opposition and pro-Chavez crowds and analyze how Venezuelan TV manipulated images for propaganda purposes.
My Architect
Louis Kahn, a giant among twentieth-century architects, left a legacy of brilliantly designed and engineered buildings. Kahn’s personal life was mysterious, and his death, alone and unidentified in Penn Station in 1974, revealed that he led not a double but a triple life, shuttling between his legitimate family and two women and the children they bore him. One of these, his son Nathaniel, takes us on a personal journey to consider the contradictions of this complicated genius and eccentric parent.
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