You can’t get what you want but you can get me [short film]
Samira Elagoz, Z Walsh
Netherlands, Finland, Germany, United States 13 minutes
Synopsis
At once intimate and mundane, this creative slideshow follows a developing relationship between two long-haired trans men through a year ‘s worth of texts and pics. Over that year, they meet, date long-distance, get acquainted with each other’s families, and manage recovery from top surgery.
A filmmaker immerses his daughter in the magic of cinema, where chaos meets fantasy. This creates a deep bond that will sustain them through good and bad.
This film is part of the 60th Chicago International Film Festival’s In Focus: Italy on Screen collection, celebrating Italian cinema by harkening back to the best of the country’s filmmaking traditions while showcasing vibrant new work.
In this revelatory and inventive personal documentary, Chicago filmmaker Kyle Henry (ChicagoIFF selection Rogers Park) explores his close relationship with his elderly mother Elaine at a critical moment. It is the early days of the pandemic. Mother and son are separated, and she has late-stage dementia. Mining his own extensive family archive in combination with playful uses of photographic projection and models, Henry delves into the specific complexities of their relationship while also relaying a larger tale of American motherhood and self-sacrifice.
From the Kodachrome pictures and grainy Super 8 home movies of his past to touching Zoom sing-a-longs with his mom in the present, Henry creates a vivid and intimate family portrait while reckoning with his feelings of guilt and helplessness. Also full of warmth and joy, Time Passages is an alternatingly moving and amusing testament to the bonds between mothers and children, and the ways we navigate life’s most challenging moments.
United Kingdom, Palestine, France, Greece, Netherlands, Germany, Qatar, Saudi Arabia 105 minutes
Synopsis
Displaced Palestinian cousins Chatila and Reda are stuck in Athens. They live in a crowded group home with other migrants, and steal and save what they can to pay for fake passports that will take them to Germany. When Reda relapses into his addictions and spends all their savings, Chatila devises what seems like a foolproof smuggling operation to earn the money back fast. Then things go terribly awry, and the cousins must concoct an even more sinister scheme in order to save themselves and their families back home.
With an intimate and naturalistic lens on the cousins’ bond and shared dream of a better life, To a Land Unknown is a tightly drawn thriller that presents an audacious, moving testament to the dire circumstances faced by migrants in purgatory.
Winfried doesn’t see much of his working daughter Ines. The suddenly student-less music teacher decides to surprise her with a visit after the death of his old dog. It’s an awkward move, because serious career woman Ines is working on an important project as a corporate strategist in Bucharest. The geographical change doesn’t help the two to see more eye to eye. Practical joker Winfried loves to annoy his daughter with corny pranks. What’s worse are his little jabs at her routine lifestyle of long meetings, hotel bars and performance reports. Father and daughter reach an impasse, and Winfried agrees to return home to Germany. Enter flashy “Toni Erdmann” – Winfried’s smooth-talking alter ego. Disguised in a tacky suit, weird wig and even weirder fake teeth, Toni barges into Ines’ professional life, claiming to be her CEO’s life coach. As Toni, Winfried is bolder and doesn’t hold back, but Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to understand that her eccentric father might deserve some place in her life after all.
This film is part of the 60th Chicago International Film Festival’s In Focus: Germany on Screen collection highlighting the work of Germany’s most gifted auteur filmmakers.