Synopsis

In this surreal vision of the not-too-distant-future, the official language of Canada is now Farsi. Against this oddball background, three slice-of-life stories emerge: Two young friends venture to retrieve money found frozen in a block of winter ice. A man quits his painfully bureaucratic government job and returns home. And a peculiar tour guide shows off some of Winnipeg’s dullest attractions to a group of discombobulated tourists. Taken together, these deadpan stories create a picture of life in the “heart of Canada” that’s both hilarious and heartwarming. Featuring masterful production design with an eye toward the absurd, director Matthew Rankin (The Twentieth Century) describes his second feature as “a love letter to Iranian cinema,” combining the soulfulness of Abbas Kiarostami with the visual whimsy of Wes Anderson to create an appealingly unusual odyssey.

Synopsis

Based on a true story, this inspiring drama follows Anthony Robles (Jharrel Jerome) who was born with one leg but whose indomitable spirit and unbreakable resolve empowered him to defy the odds and pursue his dreams. With the unwavering love and support of his devoted mother Judy (Jennifer Lopez) and the encouragement of his coaches, Anthony fights through adversity to earn a spot on the Arizona State Wrestling team. But it will demand everything he has, physically and mentally, to achieve his ultimate quest to become an NCAA champion.

Unstoppable features standout performances from a stellar cast: Moonlight actor Jerome’s fiercely committed performance as the determined athlete, Lopez’s wrenching portrayal of a conflicted mother, and Don Cheadle as a hardened wrestling coach who pulls no punches. Viscerally capturing both the thrilling physicality of the matches (overseen by the real-life Robles) and the emotional turmoil off the mat, Unstoppable is the apotheosis of the powerfully inspirational sports drama.

Synopsis

The majestic vistas of the Italian Alps make for a stunning backdrop, but Vermiglio is more concerned with studying the intimate landscapes of the human face than it is in admiring the view. Set in the final days of WWII, this handsomely realized period drama from director Maura Delpero (Maternal) chronicles a harrowing year in the life of three sisters, the daughters of a schoolteacher in a remote mountain village.

When Pietro, a deserter fleeing the approaching German army, arrives in their village, the sisters’ lives are forever changed — that of eldest daughter Lucia, who marries the handsome stranger, especially. But her younger siblings are affected by watching Lucia’s joys and struggles as a young, pregnant bride as well. Fresh off of its debut at the Venice Film Festival, Vermiglio is an affecting testament to the strength of women and the ties that bind.

Synopsis

Young coal miners in love Viêt and Nam steal moments of intimacy together at work deep underground. But Nam wants to leave the country via a smuggler, placing their future on tenuous ground. Waiting in limbo, the two accompany Nam’s mother on her search through the jungle — and her dreams — for the remains of her veteran husband, the ghosts of the past guiding their way.

Full of sublime visuals and rich historical resonance, this sophomore feature from Trương Minh Quý seamlessly ties a thread of longing between the ache of queer desire and the need for closure amidst the generational trauma of the Vietnam War. Rooted in magical realism, the film’s quandaries about Vietnamese history and queer belonging add up to an emotional reckoning centered around relationships with the past and to each other — a heartbreaking site of contemplation.

Synopsis

Like a dream, Mo Harawe’s debut full-length The Village Next to Paradise — the first Somali feature ever selected for Cannes — lingers in the viewer’s memory after it ends, shifting and changing shape with the events of the day. The narrative is simple yet profound: the film follows a newly formed family, each with their own modest dreams for the future. The elder Mamargade seeks employment, his sister Araweelo aspires to own a small shop, and the youngest, Cigaal, imagines a field made of sweets and hopes to attend school.

The volatile backdrop of contemporary Somalia lends a simmering tension to Harawe’s muted storytelling, as drone strikes and political violence threaten to permanently disrupt the characters’ humble way of life. But even in places where death feels close, life must go on — a poignant observation Harawe handles with uncommon grace and artistry.