Film Venues Archives: AMC New City 14

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A woman in church looks over her shoulder

Vermiglio

  Maura Delpero

  Italy, France, Belgium     120 minutes

Synopsis

The majestic vistas of the Italian Alps make for a stunning backdrop, but Vermiglio is more concerned with studying the intimate landscapes of the human face than it is in admiring the view. Set in the final days of WWII, this handsomely realized period drama from director Maura Delpero (Maternal) chronicles a harrowing year in the life of three sisters, the daughters of a schoolteacher in a remote mountain village.

When Pietro, a deserter fleeing the approaching German army, arrives in their village, the sisters’ lives are forever changed — that of eldest daughter Lucia, who marries the handsome stranger, especially. But her younger siblings are affected by watching Lucia’s joys and struggles as a young, pregnant bride as well. Fresh off of its debut at the Venice Film Festival, Vermiglio is an affecting testament to the strength of women and the ties that bind.

 Italian with subtitles

In Focus: Italy on Screen

the flag of ItalyThis film is part of the 60th Chicago International Film Festival’s In Focus: Italy on Screen collection, celebrating Italian cinema by harkening back to the best of the country’s filmmaking traditions while showcasing vibrant new work.

Learn more about this collection

Screenings & Events

Media

Film Credits

  •   Francesca Andreoli, Carole Baraton, Tatjana Kozar
  •   Maura Delpero
  •   Luca Mattei
  •   Mikhail Krichman
  •   Tommaso Ragno, Giuseppe de Domenico, Roberta Rovelli, Martina Scrinzi
  •   Cinedora, Charades Productions, Versus Production

Sponsors

International Competition Program Patron

Jacolyn and John Bucksbaum Family Foundation

Film Patrons

Mary and Joseph Plauché

With Support From

Logo: Cinecittà 288x60Logo: Italian Ministry of Culture 179x80Logo: Italian Cultural Institute - 200x100

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Two men dressed in suits stand ankle deep in water.

Viet and Nam

  Trương Minh Quý

  Vietnam     129 minutes

Synopsis

Young coal miners in love Viêt and Nam steal moments of intimacy together at work deep underground. But Nam wants to leave the country via a smuggler, placing their future on tenuous ground. Waiting in limbo, the two accompany Nam’s mother on her search through the jungle — and her dreams — for the remains of her veteran husband, the ghosts of the past guiding their way.

Full of sublime visuals and rich historical resonance, this sophomore feature from Trương Minh Quý seamlessly ties a thread of longing between the ache of queer desire and the need for closure amidst the generational trauma of the Vietnam War. Rooted in magical realism, the film’s quandaries about Vietnamese history and queer belonging add up to an emotional reckoning centered around relationships with the past and to each other — a heartbreaking site of contemplation.

  

 Vietnamese with subtitles

Screenings & Events

Media

Film Credits

  •   Bianca Balbuena, Bradley Liew
  •   Trương Minh Quý
  •   Félix Rehm
  •   Son Doan
  •   Phạm Thanh Hải, Đào Duy Bảo Định, Nguyễn Thị Nga, Lê Viết Tụng
  •   Alex C. Lo, Glen Goei, Teh Su Ching, Chi K Trần, Anthony de Guzman
  •   Epicmedia Productions, Inc

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An older man, in a home lit by sunlight, with a young child haning over his shoulders.

The Village Next to Paradise

  Mo Harawe

  Austria, France, Germany, Somalia     133 minutes

Synopsis

Like a dream, Mo Harawe’s debut full-length The Village Next to Paradise — the first Somali feature ever selected for Cannes — lingers in the viewer’s memory after it ends, shifting and changing shape with the events of the day. The narrative is simple yet profound: the film follows a newly formed family, each with their own modest dreams for the future. The elder Mamargade seeks employment, his sister Araweelo aspires to own a small shop, and the youngest, Cigaal, imagines a field made of sweets and hopes to attend school.

The volatile backdrop of contemporary Somalia lends a simmering tension to Harawe’s muted storytelling, as drone strikes and political violence threaten to permanently disrupt the characters’ humble way of life. But even in places where death feels close, life must go on — a poignant observation Harawe handles with uncommon grace and artistry.

 Somali with subtitles

Screenings & Events

Media

Film Credits

  •   Sabine Moser, Oliver Neumann
  •   Mo Harawe
  •   Joana Scrinzi
  •   Mostafa El Kashef
  •   Ahmed Ali Farah, Anab Ahmed Ibrahim, Ahmed Mohamud Saleban
  •   Jean Christophe Reymond, Nicole Gerhards, Mo Harawe, Nuh Musse Berjeeb, Abdimalik Yusuf, Ahmed Farah, Osman Hassan Hussein
  •   FreibeuterFilm, Kazak Productions, NiKo Film, Maanmaal ACC

Sponsors

Black Perspectives Program Sponsor

Logo: AllState

New Directors Program Patron

Robert and Penelope Steiner Family Foundation

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Two men in a forest drop a small firework into an empty gatorade bottle.

Vulcanizadora

  Joel Potrykus

  United States     85 minutes

Synopsis

Michigan-based filmmaker Joel Potrykus has built his career on chronicling the comedic routines and surprisingly complex inner lives of slacker dudes. And Vulcanizadora is no exception. The difference here is that Potrykus’ characters, like the filmmaker himself, are getting older. That means that, for Marty Jackitansky (Josh Burge) and Derek Skiba (Joel Potrykus), the consequences of their actions are getting harder to avoid.

The moment when eternal adolescence slams against the brick wall of mortality is the theme of Potrykus’ latest, a spiritual sequel to his film Buzzard (ChicagoIFF 2014). This is a movie that benefits from knowing as little as possible going in, so just take Potrykus’ word for it when he says that this is his “most personal” as well as his “bleakest” film to date.

  

 English 

Content Advisory

Screenings & Events

Media

Film Credits

  •   Ashley Potrykus, Hannah Dweck, Theodore Schafer, Matt Grady
  •   Joel Potrykus
  •   Joel Potrykus
  •   Adam J. Minnick
  •   Joshua Burge, Joel Potrykus, Melissa Blanchard, Solo Potrykus
  •   Dweck Productions, Factory 25 Picture, Sob Noisse Movies
  •   https://www.factorytwentyfive.com/vulcanizadora

Sponsors

Co-presented with

Logo: Music Box Theatre 160x125

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Three girls in uniform stand on a rocky beach together.

We Were Dangerous

  Josephine Stewart-Te Whiu

  New Zealand     83 minutes

Synopsis

New Zealand,1954. Friends Nellie, Daisy, and Lou make mischief together at an institution for delinquent girls that has recently relocated to a remote island. A strict and devout matron lords over the girls’ education, working to shape them into pious, obedient, “civilized” young women. But it’s hard to reform girls who don’t believe they need reforming.

When the matron approves experimental forms of punishment set to take place in the dead of night, the trio’s rebellion soon becomes an urgent plot to escape by whatever means possible. We Were Dangerous beautifully juxtaposes a charming wit and playfulness against the grim reality of the girls’ life on the island, crafting a love letter to fierce and disobedient young women past and present.

 English, Māori with subtitles

Screenings & Events

Media

Film Credits

  •   Morgan Waru, Polly Fryer
  •   Maddie Dai
  •   Hansjörg Weissbrich
  •   María Inés Manchego
  •   Erana James, Nathalie Morris, Manaia Hall, Rima Te Wiata
  •   Matt Westbrooke
  •   Carthew Neal, Taika Waititi, Billy Way, Elliott Whitton, Emily Gotto
  •   Piki Films