Synopsis

Visionary stop-motion animation director Adam Elliot returns to the Festival (Mary and Max, 2009) with a film eight years in the making. As a girl whose young life is troubled by misfortune, Grace (voiced by Sarah Snook) seeks comfort in her loving twin brother Gilbert and her pet snails. But when the siblings are forcibly separated after the death of their father and placed in foster homes at opposite ends of  Australia, Grace’s loneliness causes her to withdraw into her shell — much like her beloved pet snails.

Years pass and her sorrow grows, until one day she strikes up an odd friendship with Pinky (Jacki Weaver), an eccentric older woman with a glowing outlook on life and kindness to spare. At once gloomy, affecting, and hopeful, Memoir of a Snail is a beautiful testament to the power of friendship and resilience in the face of adversity.

Synopsis

A couple learns that, due to a hospital mix-up years ago, they must welcome their unknown biological son — and bid farewell to the boy they’ve long loved.

Synopsis

When a juvenile giraffe named Marius was euthanized by the Copenhagen Zoo a decade ago, the decision sparked an international outcry. But filmmaker Max Kestner was more intrigued than flabbergasted, and uses the provocative incident as a launching pad for this wry and provocative essay film about life, death, biology, genetics, human and animal consciousness, and, well, just about everything else.

Jumping around the planet for a plethora of fascinating interviews — including Italian microbiologist Donato Giovannelli and Oxford veterinarian Charles Foster, who lives as a wolf to better understand them — the film explores the nature of life at a brisk pace, mixing the massive and the microscopic with the existential and the scientific using the lightest of touches. (The Flaming Lips’ “Do You Realize?” makes for a memorable framing device.) Fascinating and funny, Life and Other Problems delves into the quandaries of existence while offering no single solution.

Synopsis

During the hot Corsican summer of 1995, teenager Lesia is whisked away from the beach to a secret villa. Initially nonplussed, she’s excited when she realizes the reason for this sudden departure: she’s going to spend time with her father. Wanted by the authorities for his ties to violent, criminal acts, he’s hiding out in a compound. And although she’s not allowed to make phone calls to the outside world, Lesia is thrilled for some quality time with her outlaw dad. But when war erupts in the underworld, the two are forced to face one another as their familial bond is brought to its breaking point. The idyllic, sun-baked island serves as the backdrop for this explosive drama mixed with a heart-pounding coming-of-age thriller, anchored by a tour-de-force performance from newcomer Ghivanna Benedetti and directed with assurance and precision by Julien Colonna.

Synopsis

Iconoclastic French filmmaker Leos Carax (Holy Motors, ChicagoIFF 2012 Gold Hugo winner) reflects on his work and life in this personal cinematic essay. Nodding to the late style of New Wave master Jean-Luc Godard, whose voice can be heard on the soundtrack, the film assembles footage from Carax’s work and situates it within the broader history of cinema. Originally commissioned for an exhibition hosted by Paris’s Pompidou Center, the museum asked the auteur to respond to a simple question: “Where are you at, Leos Carax?”

No subject is off limits, no idea too small or large. The result is a dazzling, playful masterpiece of freely associative montage that includes everything from nostalgic film clips to heartbreaking voicemail recordings to ecstatic spectacles of dancing puppets. Essential viewing for fans and newcomers alike. Just be sure to stay for the post-credits sequence.