Twenty years after their notorious tabloid romance gripped the nation, a married couple (Julianne Moore and Charles Melton) buckles under the pressure when an actress (Natalie Portman) arrives to do research for a film about their past.
Mexican-American and queer, high school student Javier doesn’t exactly fit in with the popular kids. But he might be the only one who can save them. After an act of bullying sends Javier to the hospital, he begins experiencing visions that foresee glimpses of shocking murders at his school right before they happen. Now, in between navigating the social hierarchies and prejudices of clique culture, Javier (Primo’s Ignacio Diaz-Silverio) and his best friend Bianca (Candyman’s Ireon Roach) must try to unmask a serial killer before he strikes again.
Departing Seniors puts a fresh spin on teen slasher movies like Scream and Freaky, updating them by putting its queer protagonist and characters of color front and center. It’s a horror-comedy with a sarcastic, whip-smart edge and appealingly complex characters, shot right here in Chicago and ready to scare you silly.
We chatted with Departing Seniors director Clare Cooney about filming during COVID, refreshing the teen slasher genre, what it’s like to screen her film at the Music Box Theatre, and more.
Paul Matthews (Nicolas Cage), a hapless family man and evolutionary biologist, finds his life turned upside down when millions of strangers suddenly start seeing him in their dreams. But when his nocturnal appearances take a nightmarish turn, Paul’s newfound stardom suddenly turns from celebratory to dangerous, with unforeseen consequences for Paul, his wife, and their daughter.
Written and directed by daring newcomer Kristoffer Borgli (Sick of Myself) and produced by horror maestro Ari Aster (Hereditary, Midsommar), Dream Scenario is a hilariously absurdist satire about fame, masculine anxiety, and social media, punctuated by bursts of the chilling and the uncanny. Cage leads the film with yet another terrific and self-lacerating performance, as a man coming apart at the seams and desperately grasping for control.
In his masterful feature debut, acclaimed actor Michael Shannon paints a riveting portrait of Janice LaRue, a middle-aged mother coming to terms with a shooting spree perpetrated by her son. Adapted from Brett Neveu’s 2002 play — which debuted at A Red Orchid Theatre in Chicago — the film follows the shell-shocked Janice (Judy Greer) as she attempts to navigate the tragedy in her small town. Some try to help; others condemn her outright. While a local pastor tries to reconcile Janice with the victims’ mothers, Janice’s feeble husband (Alexander Skarsgård) finds refuge in an upstart church led by a motivational preacher Steppenwolf’s Tracy Letts. But Janice must find her own way.
With stunning performances led by Greer’s riveting portrayal of a deeply pained yet resilient mother, Eric LaRue is a penetrating psychological drama about grief, guilt, and atonement that builds to a profound and cathartic conclusion.
The heartfelt story follows two 10-year-olds, Malik and Eric, as they revel in the freedoms of boyhood and the joys of friendship. The projects are their playground, and every stairway, roof, and stretch of blacktop is just another place for adventure. But when violence comes to their neighborhood, their safe haven is fractured, and Malik’s mother Dolores (Jurnee Smollett) must decide whether to stay or move away.
We chatted with director Minhal Baig about the origin of the story behind We Grown Now, recreating 1990s Cabrini-Green on screen, and her favorite Chicago movies.